IN 2001 I WAS INTRODUCED TO OIL PAINT AND BECAME ADDICTED TO THE TEXTURE, SMELL, AND PROCESS.
AT FIRST I TRIED TO UNDERSTAND THE HUMAN CONDITION BY PAINTING THE FIGURE IN ISOLATION.
LESS THAN A YEAR LATER MY INTEREST MIGRATED FROM THE INDIVIDUAL TO THE CROWD - THE WAY A GROUP CAN INFLUENCE AND BE INFLUENCED LEAD TO WORK THAT REFLECTED ON SOCIAL, RELIGIOUS, AND POLITICAL ISSUES.
AROUND 2004 I ABANDONED CROWD-COMPOSITIONS AND INDULGED IN COLOUR, MAINLY WITH OIL ON METAL. UNFORTUNATE
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